Arts & Culture

In her piece on (not)editing Micheline Aharonian Marcom’s new novel “The Brick House,” author and editor Tatiana Ryckman says that Marcom's fiction changed her reading and writing life forever.

Visual artist Ruben Malayan’s poster art that he created during the Velvet Revolution in Armenia is a fusion of his passion for calligraphy and the momentous events sweeping across the country.

The fire that severely damaged the Notre Dame Cathedral in Paris highlighted how indispensable art is for humanity and exposed the fragility of all cultural legacy. It also indicated the profoundly unbalanced ways through which the global community has come to evaluate the intellectual production of different cultures and nations.

For decades, production of historical texts in Armenia was in the tight grip of Soviet state ideology. Post-independence, some topics previously repressed or omitted found their way back into Armenian history textbooks, however “memory gaps” remain.

Director Jivan Avetisyan of Tevanik and The Last Inhabitant talks about surviving the Spitak earthquake, the Karabakh War and the memories and experiences that have become the guiding force of his life and his films.

Women have been breaking stereotypes and crashing through glass ceilings, yet equity, diversity and inclusivity have not yet been fully realized. Armenian women in the film industry are beginning to change the narrative.

Mariam Tumanyan was a member of Tbilisi’s Armenian elite at the end of the 19th and turn of the 20th centuries. Her patronage of Armenian intellectuals and then her care of orphans from the Armenian Genocide have largely been forgotten. Here are some excerpts from her memoirs.

What is the art of anti-corruption? A year-long campaign sought to raise awareness on the effects of corruption on Armenian society. The “Art of (anti) Corruption” organized by Impact Hub Yerevan and supported by the EU Delegation to Armenia is a poster art exhibition and EVN Report is featuring a selection of the works on display.

While contemporary Armenian writers are searching for a new language of expression, Arevik Ashkharoyan, a literary agent, has taken on the task of bringing their voices to a global audience. In this first essay for EVN Report, Ashkharoyan writes about the challenges of representing a book that many believe is about the army but in fact is a metaphor for a repressed society.

From referencing the issue of sex-selective abortions to drinking toasts in honor of women, the grammatically genderless Armenian language, still fails to provide a space for its speakers to develop sensitivity towards the intricacies of gender as social conventions and cultural constructs. Rafik Santrosyan, PhD in Linguistics, explains how.